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The Goldfinch, Donna Tartt’s latest novel, has pit critics against one another, but what’s all the fuss about?
Read MoreThe Goldfinch, Donna Tartt’s latest novel, has pit critics against one another, but what’s all the fuss about?
Read MoreReviews of Zadie Smith's fourth novel, NW, have been, to put it kindly, mixed. Much of the criticism seems to stem from Smith's “indecision” throughout the novel: it's divided into four very different sections, all of which suck the reader in before tearing them away. As someone who rather liked the book, I found that each section read best in a specific place. Likewise, the wrong reading location had profound effects on my enjoyment of the book, and I had to stake out a better reading territory. Perhaps if Michiko Kakutani had taken the same guess-and-check approach, she wouldn't have called NW "a much smaller, more meager book than White Teeth.”
Below, I share some of the best places to read each section (no spoilers, I promise). After all, if environment affects how we learn to read, why shouldn’t it also affect how we read?
Section 1: Visitation
Ideal Reading Location: Home, on a nice day
The novel opens in the quiet, beautiful apartment of Leah Halwell, one
of the book's duller characters. Excitement happens once in a while, but
for the most part, you may find yourself getting up for another drink
or flipping open your laptop to scan your newsfeed once in a while. Any
time I tried to read the slow, thoughtful pacing of this section on the
subway, I was distracted by my seatmate's gum chewing or the
conductor's garbled announcements. A casual, serene location,
much like Leah's apartment, was the best place to acclimate myself to
Smith's intricate, cherry-picked prose.
Section 2: Guest
IRL: The subway
The action starts chugging along with the introduction of Felix, a
drug-dealer-cum-mechanic who's ready to settle down. Reading this
section in a cramped subway car on my way to work proved to be the ideal
distraction during my commute. Smith seems to hit her stride here,
throwing in characters that maintain a fairytale shimmer despite their
brutally realistic settings. It's a harsh awakening from the first
section of the book, and it goes hand-in-hand with shrieking brakes and
whooshing doors.
Section 3: Host
IRL: Lunch
Reading over lunch is always a struggle: turn the page, take a bite,
read a paragraph while chewing, don't spill, repeat. It helps that this
section is chopped into manageable, diary-like entries. Again, this
section is a big change from the last one, and the biggest departure
from what I consider the tried and true Zadie Smith voice. She even went
the Tao Lin route and threw in some gchat transcripts, which for many, will take some time to digest.
Section 4: Crossing/Visitation
IRL: Park bench
After a somewhat bizarre revelation that occurs in the previous section, you'll need to sit down and focus. Your neighborhood park may help you feel closer to the community Smith works so hard to examine in the novel. Grab a seat away from the dog park and playground; no time for distractions now. NW
may be a chore to get through, but in the end, the characters keep
drawing you back. If you've read any of Smith's other books, you know
she likes to give her characters their comeuppances. The book's finale
is pretty messy, but after all this time you've spent with it, you'll be
eager to see what becomes of everyone — of these vivid characters who
have become your neighbors, lunchmates, and groggy fellow passengers.
Image: ew.com
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Just make sure to take notes on everything you read—for posterity's sake.
But is all that reading's giving you a headache, make yourself a hot toddy, courtesy of Faulkner.
Or if you're in the mood for laughs, you could always check out Rupert Murdoch's Twitter.
Beware of the sudden prevalence fake Michiko Kakutani's while you're over.